This article is about the 1983 television film. For other uses, see.The Day AfterGenreDramaWritten byDirected byStarringTheme music composer(Theme for 'The River')Country of originUnited StatesOriginal language(s)EnglishProductionProducer(s)Robert Papazian (producer)(associate producer)CinematographyEditor(s)William Paul DornischRobert FlorioRunning time126 minutesProduction company(s)DistributorReleaseOriginal networkABCPicture formatColor (CFI)Audio formatOriginal release. November 20, 1983 ( 1983-11-20)The Day After is an American that first aired on November 20, 1983 on the television network. More than 100 million people, in nearly 39 million households, watched the program during its initial broadcast. With a 46 rating and a 62% of the viewing audience during its initial broadcast, it was the seventh-highest-rated non-sports show up to that time and set a record as the highest-rated television film in history—a record it still held as recently as a 2009 report.The film postulates a fictional war between forces and the countries that rapidly escalates into a full-scale between the United States and the Soviet Union. The action itself focuses on the residents of, and, and of several family farms near nuclear.The cast includes,.
The film was written by, produced by Robert Papazian, and directed. It was released on on May 18, 2004,. Initially; eventually, and theResult. between the United States and Soviet UnionBelligerents.Commanders and leadersNATO:Warsaw Pact:The is shown to have begun a military buildup in (which the Soviets insist are exercises) with the goal of intimidating the United States, the United Kingdom, and France into withdrawing from. When the United States does not back down, Soviet armored divisions are sent to the border between East and West Germany.During the late hours of Friday, September 15, news broadcasts report a 'widespread rebellion among several divisions of the.' As a result, the Soviets West Berlin.
Tensions mount, and the United States issues an ultimatum that the Soviets stand down from the blockade by 6 a.m. The next day, and noncompliance will be interpreted as an act of war.
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The Soviets refuse, and the President of the United States orders all U.S. Military forces around the world on 2 alert.On Saturday, September 16, forces in West Germany invade East Germany through the to free Berlin. The Soviets hold the Marienborn corridor and inflict heavy casualties on NATO troops. Two Soviet cross into West German airspace and bomb a NATO munitions storage facility, also striking a school and a hospital. A subsequent radio broadcast states that Moscow is being evacuated. At this point, major U.S.
Cities begin mass evacuations as well. There soon follow unconfirmed reports that nuclear weapons were used in. Meanwhile, in the, naval warfare erupts, as radio reports tell of ship sinkings on both sides.Eventually, the reaches the. Seeking to prevent Soviet forces from invading France and causing the rest of to fall, NATO halts the Soviet advance by three low-yield over advancing Soviet troops. Soviet forces counter by launching a nuclear strike on in. In response, the United States begins scrambling bombers.The Soviet Air Force then destroys a station at, England and another at in California. Meanwhile, on board the aircraft, the order comes in from the President for a full nuclear strike against the Soviet Union.
Almost simultaneously, an Air Force officer receives a report that a massive Soviet nuclear assault against the United States has been launched, further updated with a report that over 300 Soviet (ICBMs) are inbound. It is deliberately left unclear in the film whether the Soviet Union or the United States launches the main nuclear attack first.The first salvo of the Soviet nuclear attack on the (as shown from the point of view of the residents of central and western ) occurs when a large-yield nuclear weapon air bursts at high altitude over, Missouri.
This generates an (EMP) that shuts down the electric power grid to nearby 's operable missile silos and of the surrounding areas. Thirty seconds later, incoming Soviet ICBMs begin to hit military and population targets., Kansas City, and all the way south to are blanketed with nuclear weapons. While the story provides no specifics, it strongly suggests that U.S. Cities, military, and industrial bases are heavily damaged or destroyed. The aftermath depicts the Midwestern and as a blackened wasteland of burned-out cities filled with burn, blast, and radiation victims. Eventually, the U.S. President delivers a radio address in which he declares there is now a ceasefire between the United States and the Soviet Union (which, although not shown, has suffered the same devastating effects) and states there has not been any surrender by the United States.Storyline Dr.
Russell Oakes lives in the upper-class Brookside neighborhood with his wife and works in a hospital in downtown Kansas City. He is scheduled to teach a class at the (KU) hospital in nearby Lawrence, Kansas, and is en route when he hears an alarming alert on his car radio. The attention signal vibrates and then a woman announces an advisory message. He exits the crowded freeway and attempts to contact his wife but gives up due to the long line at a phone booth. Oakes attempts to return to his home via the and is the only eastbound motorist. The nuclear attack begins, and Kansas City is gripped with panic as air raid sirens wail.
Oakes' car is permanently disabled by the EMP from the first high-altitude detonation, as are all motor vehicles and electricity. Oakes is about 30 miles (48 km) away from downtown when the missiles hit. His family, many colleagues, and almost all of Kansas City's population are killed. He walks 10 miles (16 km) to Lawrence, which has been severely damaged from the blasts, and, at the university hospital, treats the wounded with Dr. Sam Hachiya and Nurse Nancy Bauer. Also at the university, science Professor Joe Huxley and students use a to monitor the outside.
They build a makeshift radio to maintain contact with Dr. Oakes at the hospital as well as to locate any other broadcasting survivors beyond their area.Billy McCoy is stationed at a missile silo near, 70 miles (110 km) east-southeast of Kansas City, and is called to duty during the alert. His crew are among the first to witness the initial missile launches, indicating full-scale nuclear war. After it becomes clear that a Soviet is imminent, the airmen panic. Several stubbornly insist that they should stay at their post and take shelter in the silo, while others, including McCoy, point out that it is futile because the silo will not withstand a direct hit. McCoy tells them they have done their jobs and speeds away in an Air Force truck to retrieve his wife and child in (20 miles (32 km) east of Whiteman AFB), but the truck is permanently disabled by an EMP from an airburst detonation. McCoy abandons the truck and takes shelter inside an overturned semi truck trailer, barely escaping the oncoming nuclear blast.
After the attack, McCoy walks towards a town and finds an abandoned store, where he takes candy bars and other provisions, while gunfire is heard in the distance. While standing in line for a drink of water from a well pump, McCoy befriends a man who is mute and shares his provisions. McCoy asks another man along the road about Sedalia, and the man indicates that Sedalia and Windsor no longer exist. As McCoy and his companion both begin to suffer the effects of, they leave a refugee camp and head to the hospital at Lawrence, where McCoy ultimately succumbs to the radiation sickness.Farmer Jim Dahlberg and his family live in rural, very close to a field of missile silos about 37 miles (60 km) south-southeast of Kansas City.
While the family is preparing for the wedding of their elder daughter, Denise, to KU senior Bruce Gallatin, Jim prepares for the impending attack by converting their basement into a makeshift fallout shelter. As the missiles are launched, he forcefully carries his wife Eve, who refuses to accept the reality of the escalating crisis and continues making wedding preparations, downstairs into the basement.
While running to the shelter, the Dahlbergs' son, Danny, inadvertently looks behind him just as a missile detonates in the distance and is instantly blinded and carried back to the shelter by Dahlberg.KU student Stephen Klein, while hitchhiking home to, stumbles upon the farm and persuades the Dahlbergs to take him in. After several days in the basement, Denise, distraught over the situation and the unknown whereabouts of Bruce, escapes from the basement and runs about the field that is cluttered with dead animals.
She sees a clear blue sky and thinks the worst is over. However, the field is actually covered in radioactive fallout.
Klein goes after her, attempting to warn her about the effects of the invisible nuclear radiation that is going through her cells like, but Denise, ignoring this warning, tries to run from him. Eventually, Klein is able to chase Denise back to safety in the basement, but not before Denise runs to the stairs to find her wedding dress. During a makeshift church service, while the minister tries to express how lucky they are to have survived, Denise begins to bleed externally from her groin due to radiation sickness from her run through the field.Klein takes Danny and Denise to for treatment. Hachiya attempts to treat Danny, and Klein also develops radiation sickness. Dahlberg, upon returning from an emergency farmers' meeting, confronts a group of silent survivors on his farm and attempts to persuade them to move somewhere else, only to be shot and killed mid-sentence by one of the squatters.Ultimately, the situation at the hospital becomes grim.
Oakes collapses from exhaustion and, upon awakening several days later, learns that Nurse Bauer has died from. Oakes, suffering from terminal radiation sickness, decides to return to Kansas City to see his home for the last time, while Dr. Hachiya stays behind. Oakes hitches a ride on an truck, where he witnesses U.S.
Military personnel blindfolding and executing looters. After somehow managing to locate where his home was, he finds the charred remains of his wife's wristwatch and a family huddled in the ruins. Oakes angrily orders them to leave his home. The family silently offers Oakes food, causing him to collapse in despair, as a member of the family comforts him.As the scene fades to black, Professor Huxley calls into his makeshift radio: 'Hello? Is anybody there? Anybody at all?'
There is no response.Cast. The Oakes. as Dr. Russell Oakes. as Helen Oakes. Kyle Aletter as Marilyn OakesThe Dahlbergs. as Jim Dahlberg.
as Eve Dahlberg. Lori Lethin as Denise Dahlberg.
Doug Scott as Danny Dahlberg. Ellen Anthony as Joleen DahlbergHospital staff. as Nurse Nancy Bauer.
as Dr. Sam Hachiya. Lin McCarthy as Dr. Austin.
as Dr. Wallenberg. as Dr. Landowska. Jonathan Estrin as Julian FrenchOthers. as Stephen Klein.
as Joe Huxley. as Alison Ransom. as Airman First Class Billy McCoy. as Bruce Gallatin. as Reverend Walker. Clayton Day as Dennis Hendry.
Antonie Becker as Ellen Hendry. as Aldo. as Tom Cooper. Stan Wilson as Vinnie Conrad.
as Man at phoneProduction. This section does not any. Unsourced material may be challenged. ( July 2014) The Day After was the idea of ABC Motion Picture Division president, who, after watching, was so impressed that he envisioned creating a film exploring the effects of nuclear war on the United States. Stoddard asked his executive vice president of television movies and miniseries Stu Samuels to develop a script.
Samuels created the title The Day After to emphasize that the story was not about a nuclear war itself, but the aftermath. Samuels suggested several writers and eventually Stoddard commissioned veteran television writer to write the script in 1981. ABC, which financed the production, was concerned about the graphic nature of the film and how to appropriately portray the subject on a family-oriented television channel. Hume undertook a massive amount of research on nuclear war and went through several drafts until finally ABC deemed the plot and characters acceptable.Originally, the film was based more around and in Kansas City, Missouri. Kansas City was not bombed in the original script, although was, making Kansas City suffer shock waves and the horde of survivors staggering into town. There was no Lawrence, Kansas in the story, although there was a small Kansas town called 'Hampton'. While Hume was writing the script, he and producer Robert Papazian, who had great experience in on-location shooting, took several trips to Kansas City to scout locations and met with officials from the Kansas film commission and from the Kansas tourist offices to search for a suitable location for 'Hampton.'
It came down to a choice of either and Lawrence, Kansas, both college towns—Warrensburg was home of and was near Whiteman Air Force Base and Lawrence was home of the and was near Kansas City. Hume and Papazian ended up selecting Lawrence, due to the access to a number of good locations: a university, a hospital, football and basketball venues, farms, and a flat countryside.
Lawrence was also agreed upon as being the 'geographic center' of the United States. The Lawrence people were urging ABC to change the name 'Hampton' to 'Lawrence' in the script.Back in Los Angeles, the idea of making a TV movie showing the true effects of nuclear war on average American citizens was still stirring up controversy. ABC, Hume, and Papazian realized that for the scene depicting the nuclear blast, they would have to use state-of-the-art special effects and they took the first step by hiring some of the best special effects people in the business to draw up some storyboards for the complicated blast scene.
Then, ABC hired Robert Butler to direct the project. For several months, this group worked on drawing up storyboards and revising the script again and again; then, in early 1982, Butler was forced to leave The Day After because of other contractual commitments. ABC then offered the project to two other directors, who both turned it down. Finally, in May, ABC hired feature film director, who had just completed the blockbuster. Meyer was apprehensive at first and doubted ABC would get away with making a television film on nuclear war without the censors diminishing its effect.
However, after reading the script, Meyer agreed to direct The Day After.However, Meyer wanted to make sure he would film the script he was offered. He did not want the censors to censor the film, nor the film to be a regular Hollywood disaster movie from the start. Meyer figured the more The Day After resembled such a film, the less effective it would be, and preferred to present the facts of nuclear war to viewers. He made it clear to ABC that no big TV or film stars should be in The Day After. ABC agreed, although they wanted to have one star to help attract European audiences to the film when it would be shown theatrically there.
Later, while flying to visit his parents in, Meyer happened to be on the same plane with and asked him to join the cast.Meyer plunged into several months of nuclear research, which made him quite pessimistic about the future, to point of becoming ill each evening when he came home from work. Meyer and Papazian also made trips to the ABC censors, and to the during their research phase, and experienced conflicts with both.
Meyer had many heated arguments over elements in the script, that the network censors wanted cut out of the film. The Department of Defense said they would cooperate with ABC if the script made clear that the Soviet Union launched their missiles first—something Meyer and Papazian took pains not to do.In any case, Meyer, Papazian, Hume, and several casting directors spent most of July 1982 taking numerous trips to Kansas City. In between casting in, where they relied mostly on unknowns, they would fly to the Kansas City area to interview local actors and scenery.
They were hoping to find some real Midwesterners for smaller roles. Hollywood casting directors strolled through shopping malls in Kansas City, looking for local people to fill small and supporting roles, while the daily newspaper in Lawrence ran an advertisement calling for local residents of all ages to sign up for jobs as a large number of extras in the film and a professor of theater and film at the was hired to head up the local casting of the movie. Out of the eighty or so speaking parts, only fifteen were cast in Los Angeles. The remaining roles were filled in Kansas City and Lawrence.While in Kansas City, Meyer and Papazian toured the offices in Kansas City. When asked what their plans for surviving nuclear war were, a FEMA official replied that they were experimenting with putting evacuation instructions in in. 'In about six years, everyone should have them.' This meeting led Meyer to later refer to FEMA as 'a complete joke.'
It was during this time that the decision was made to change 'Hampton' in the script to 'Lawrence.' Meyer and Hume figured since Lawrence was a real town, that it would be more believable and besides, Lawrence was a perfect choice to play a representative of. The town boasted a 'socio-cultural mix,' sat near the exact geographic center of the continental U.S., and Hume and Meyer's research told them that Lawrence was a prime missile target, because 150 silos stood nearby.
Lawrence had some great locations, and the people there were more supportive of the project. Suddenly, less emphasis was put on Kansas City, the decision was made to have the city completely annihilated in the script, and Lawrence was made the primary location in the film.Filming. The Courthouse in downtown Lawrence, Kansas, the town where much of The Day After takes place.Production began on Monday, August 16, 1982, at a farm just west of Lawrence. Sunshine was needed but it turned out to be an overcast day. The set required a floodlight. The crew set fire to the farm's red barn for one scene during the blast sequence, though this shot was eventually cut. The owner of the farm was not paid, but ABC did compensate him by building a new barn.
A set in rural Lawrence, depicting a schoolhouse, was made in six days from 'skins.' On Monday, August 30, 1982, ABC shut down Rusty's IGA supermarket in Lawrence's Hillcrest Shopping Center from 7 a.m. To shoot a scene representing. A local man and his infant son came to the market, apparently unaware that ABC was filming a movie. The man reportedly saw the chaos and ran back into his car in fear.Local extras were paid $75 to shave heads bald, have prosthetic latex scar tissue and burn-marks affixed to their faces, be plastered with coats of artificial mud, and be dressed in tattered clothes for scenes of radiation sickness.
They were requested not to bathe or shower until filming was completed. In a small Lawrence park, ABC set up a grimy shantytown to serve as home to survivors. It was known as 'Tent City.' On Friday, September 3, 1982, the cameras rolled with many students as extras. The next day, the best-known 'star' of the film, arrived and production moved to Lawrence Memorial Hospital.Many local individuals and businesses profited. It was estimated in newspaper accounts that ABC spent $1 million in Lawrence ($2.56 million in 2018 dollars), not all on the production.On September 6, in downtown Lawrence, the filmmakers repainted signs, changing the names of stores, staining the facades with soot.
The large windows were shattered into sharp teeth, bricks were scattered and junked cars were painted with clouds of black spray. Two industrial-sized yellow fans bolted to a flatbed trailer blew clouds of white flakes into the air. This fallout-matter was actually painted white.On September 7, students poured into, the basketball arena, the only place on campus big enough to accommodate so many wounded. A scene was filmed with thousands of radiation victims stretched out on the court floor.On September 8, a four-mile stretch on between the Edgerton Road exit and the interchange at former (now Lexington Avenue) was closed for shooting highway scenes representing a mass exodus on. On September 10, Robards' character was filmed returning to what is left of Kansas City to find his home.ABC used the demolition site of the former St.
Joseph Hospital located at Linwood Boulevard and Prospect Avenue in an neighborhood in Kansas City as the set. The network paid the city to halt demolition for a month so it could film scenes of destruction there. However, when the crew arrived, more demolition had apparently taken place. Meyer was angry, but then realized he could populate the area with fake corpses and junked cars 'and then I got real happy.'
Robards was in makeup at 6 a.m. To look like a radiation poisoning victim. The makeup took three hours to apply. Passers-by strained for a closer look as Robards lifted the arm of a body stuck under fallen debris—just the arm, severed at the shoulder. It was at this site that the moving final scene where Dr. Oakes confronts a family of squatters was filmed.
The in downtown Kansas City, Missouri was an important but hard-to-reach location in The Day After.There were more problems on September 11. Meyer had desperately wanted the, a tall war memorial in overlooking downtown Kansas City, for two scenes: postcard-perfect shots of Kansas City near the beginning and a scene of Robards stumbling through the ruins. However, one director of the local parks department was opposed to letting it be used for commercial purposes and expressed concern that ABC would damage the Memorial.
A resolution was reached. By using fiberglass, the filmmakers made it look as if the Memorial had been reduced to rubble. Robards stumbled through debris once again. That evening, the cast and crew flew to Los Angeles.Interior hospital scenes with Robards and JoBeth Williams were shot in Los Angeles.
Many scientific advisors from various fields were on set to ensure the accuracy of the explosion, its effects and its victims. The government, nervous of how it would be portrayed, insisted that the Soviets be the instigators of the attack, and disagreeing with the producers who wanted it to be confused and unclear about who was responsible for launching first, did not allow the production to use of nuclear explosions in the film, so ABC hired special effects creators.
The result was a visually authentic explosion and iconic 'mushroom cloud' created by injecting oil-based paints and inks downward into a water tank with a piston, filmed at high speed with the camera mounted upside down. The image was then optically color- and contrast-inverted. The water tank used for the 'mushroom clouds' was the same water tank used to create the 'Mutara Nebula' special effect in.The Day After relied heavily on footage from other movies and from government films. Extensive use of stock footage was interspersed with special effects of the mushroom clouds. While the majority of the missile launches came from footage of missile tests (mainly from adjacent to ), all of the stock footage of missile launches were acquired from declassified DoD film libraries. The scenes of Air Force personnel aboard the Airborne Command Post receiving news of the incoming attack are footage of actual military personnel during a drill and had been aired several years earlier in a 1979 documentary,.
In the original footage, the silo is 'destroyed' by an incoming 'attack' just moments before launching its missiles, which is why the final seconds of the launch countdown are not seen in this movie.Further stock footage was taken from news events (fires and explosions) and the 1979 theatrical film (such as a bridge collapsing and the destruction of a tall office building originally used to depict the destruction of the in that film). Brief scenes of stampeding crowds were also borrowed from the disaster film (1976). Other footage had been previously used in theatrical films such as and.Editing ABC originally planned to air The Day After as a four-hour 'television event', spread over two nights with total running time of 180 minutes without commercials. Director Nicholas Meyer felt the original script was padded, and suggested cutting out an hour of material to present the whole film in one night. The network stuck with their two night broadcast plan, and Meyer filmed the entire three hour script, as evidenced by a 172 minute work-print that has surfaced. Subsequently, the network found that it was difficult to find advertisers, considering the subject matter. ABC relented, and told Meyer he could edit the film for a one-night broadcast version.
Meyer's original single-night cut ran two hours and twenty minutes, which he presented to the network. After this screening, many executives were deeply moved and some even cried, leading Meyer to believe they approved of his cut.Nevertheless, a further six-month struggle ensued over the final shape of the film. Network censors had opinions about the inclusion of specific scenes, and ABC itself, eventually intent on 'trimming the film to the bone', made demands to cut out many scenes Meyer strongly lobbied to keep. Finally Meyer and his editor Bill Dornisch balked. Dornisch was fired, and Meyer walked away from the project.
ABC brought in other editors, but the network ultimately was not happy with the results they produced. They finally brought Meyer back and reached a compromise, with Meyer paring down the The Day After to a final running time of 120 minutes. Broadcast The Day After was initially scheduled to premiere on ABC in May 1983, but the post-production work to reduce the film's length pushed back its initial airdate to November. Censors forced ABC to cut an entire scene of a child having a nightmare about nuclear holocaust and then sitting up, screaming. A psychiatrist told ABC that this would disturb children. 'This strikes me as ludicrous,' Meyer wrote in at the time, 'not only in relation to the rest of the film, but also when contrasted with the huge doses of violence to be found on any average evening of TV viewing.' In any case, they made a few more cuts, including to a scene where Denise possesses a.
Another scene, where a hospital patient abruptly sits up screaming, was excised from the original television broadcast but restored for home video releases. Meyer persuaded ABC to dedicate the film to the citizens of Lawrence, and also to put a disclaimer at the end of the film, following the credits, letting the viewer know that The Day After downplayed the true effects of nuclear war so they would be able to have a story. The disclaimer also included a list of books that provide more information on the subject.The Day After received a large promotional campaign prior to its broadcast. Commercials aired several months in advance, ABC distributed half a million 'viewer's guides' that discussed the dangers of nuclear war and prepared the viewer for the graphic scenes of mushroom clouds and radiation burn victims. Discussion groups were also formed nationwide. Music Composer wrote original music and adapted music from (a documentary film score by concert composer ), featuring an adaptation of the hymn '.
Although he recorded just under 30 minutes of music, much of it was edited out of the final cut. Music from the First Strike footage, conversely, was not edited out.Deleted and alternative scenes. This section needs additional citations for. Unsourced material may be challenged and removed.Find sources: – ( October 2011) Due to the film's being shortened from the original three hours (running time) to two, several planned special-effects scenes were scrapped, although storyboards were made in anticipation of a possible 'expanded' version. They included a 'bird's eye' view of Kansas City at the moment of two nuclear detonations as seen from a airliner on approach to the city's airport, as well as simulated newsreel footage of U.S. Troops in taking up positions in preparation of advancing Soviet armored units, and the tactical nuclear exchange in Germany between NATO and the Warsaw Pact, which follows after the attacking Warsaw Pact force breaks through and overwhelms the NATO lines.ABC censors severely toned down scenes to reduce the body count or severe burn victims.
Meyer refused to remove key scenes but reportedly some eight and a half minutes of excised footage still exist, significantly more graphic. Some footage was reinstated for the film's release on home video. Additionally, the nuclear attack scene was longer and supposed to feature very graphic and very accurate shots of what happens to a human body during a nuclear blast. Examples included people being set on fire, their flesh carbonizing, being burned to the bone, eyes melting, faceless heads, skin hanging, deaths from flying glass and debris, limbs torn off, being crushed, blown from buildings by the shockwave, and people in fallout shelters suffocating during the firestorm. Also cut were images of radiation sickness, as well as graphic post-attack violence from survivors such as food riots, looting, and general lawlessness as authorities attempted to restore order.One cut scene shows surviving students battling over food.
The two sides were to be athletes versus the science students under the guidance of Professor Huxley. Another brief scene later cut related to a firing squad, where two U.S. Soldiers are blindfolded and executed.
An officer reads the charges, verdict and sentence, as a bandaged chaplain reads the. A similar sequence occurs in a 1965 UK-produced faux documentary,. In the original broadcast of The Day After, when the U.S. President addresses the nation, the voice was an imitation of. In subsequent broadcasts, that voice was overdubbed by a stock actor.Home video releases in the U.S. And internationally come in at various running times, many listed at 126 or 127 minutes; full screen (4:3 aspect ratio) seems to be more common than widescreen. RCA videodiscs of the early 1980s were limited to 2 hours per disc, so that full screen release appears to be closest to what originally aired on ABC in the US.
VHS version (Anchor Bay Entertainment, Troy, Michigan) lists a running time of 122 minutes. A 1995 double laser disc 'director's cut' version (Image Entertainment) runs 127 minutes, includes commentary by director Nicholas Meyer and is 'presented in its 1.75:1 European theatrical aspect ratio' (according to the LD jacket).Two different German DVD releases run 122 and 115 minutes; edits reportedly downplay the Soviet Union's role. Reception On its original broadcast (Sunday, November 20, 1983), warned viewers before the film was premiered that the film contains graphic and disturbing scenes, and encourages parents who have young children watching, to watch together and discuss the issues of nuclear warfare. ABC and local TV affiliates opened with counselors standing. There were no commercial breaks after the nuclear attack. ABC then aired a live debate on Viewpoint, hosted by 's, featuring scientist, former Secretary of State, former Secretary of Defense, General and conservative commentator. Sagan argued against, while Buckley promoted the concept of.
Sagan described the in the following terms: 'Imagine a room awash in gasoline, and there are two implacable enemies in that room. One of them has nine thousand matches, the other seven thousand matches. Each of them is concerned about who's ahead, who's stronger.' The film and its subject matter were prominently featured in the news media both before and after the broadcast. On such covers as TIME magazine, Newsweek, and U.S.
News & World Report, and TV Guide.Critics tended to claim the film was either sensationalizing nuclear war or that it was too tame. The special effects and realistic portrayal of nuclear war received praise. The film received 12 nominations and won two Emmy awards. It was rated 'way above average' in, until all reviews for movies exclusive to TV were removed from the guide.In the United States, nearly 100 million people watched The Day After on its first broadcast, a record audience for a made-for-TV movie. released the film theatrically around the world, in the, China, North Korea and Cuba (this international version contained six minutes of footage not in the telecast edition). Since commercials are not sold in these markets, Producers Sales Organization failed to gain revenue to the tune of an undisclosed sum. Years later this international version was released to tape by Embassy Home Entertainment.Commentator, critical of the movie's message (i.e.
That the strategy of would lead to a war), wrote in the Los Angeles what life might be like in an America under Soviet occupation. Stein's idea was eventually dramatized in the miniseries, also broadcast by ABC.The accused Meyer of being a traitor, writing, 'Why is Nicholas Meyer doing 's work for him?' Much press comment focused on the unanswered question in the film of who started the war. In the accused The Day Afterof promoting 'unpatriotic' and pro-Soviet attitudes.Television critic in his 2016 book co-written with titled named The Day After as the 4th greatest American TV-movie of all time, writing: 'Very possibly the bleakest TV-movie ever broadcast, The Day After is an explicitly antiwar statement dedicated entirely to showing audiences what would happen if nuclear weapons were used on civilian populations in the United States.' Effects on policymakers. After seeing the film, wrote that the film was very effective and left him depressed.President watched the film several days before its screening, on November 5, 1983. He wrote in his diary that the film was 'very effective and left me greatly depressed,' and that it changed his mind on the prevailing policy on a 'nuclear war'.
The film was also screened for the. A government advisor who attended the screening, a friend of Meyer's, told him 'If you wanted to draw blood, you did it. Those guys sat there like they were turned to stone.' Four years later, the was signed and in Reagan's memoirs he drew a direct line from the film to the signing. Reagan supposedly later sent Meyer a telegram after the summit, saying, 'Don't think your movie didn't have any part of this, because it did.' However, in a 2010 interview, Meyer said that this telegram was a myth, and that the sentiment stemmed from a friend's letter to Meyer; he suggested the story had origins in editing notes received from the during the production, which '.may have been a joke, but it wouldn't surprise me, him being an old Hollywood guy.' The film also had impact outside the U.S.
In 1987, during the era of 's and reforms, the film was shown on. Four years earlier, Georgia Rep. And 91 co-sponsors introduced a resolution in the 'expressing the sense of the that the, the, and the should work to have the television movie The Day After aired to the Soviet public.' . Poniewozik, James (September 6, 2007).
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